WHERE I COME FROM Rural Switzerland. Stillness. Edges of exclusion, a landscape that teaches resistance. Art and marginalization. Art as confrontation. The body learns to withstand, the mind learns to push against the boundaries. The spirit, anchored in uncertainty, questions stability. WHERE I AM Between Zurich, Mexico City, and New York. Three places, shifting. A space carved from transit and tension. Performance. Multimedia. Work that cuts through intimacy. ‘Nude and Monument.’ ‘Reflection.’ ‘Inherited Terrain.’ ‘Fragmented Subject.’ Colors that bleed into each other – power, violence, queerness. Autobiography becomes a political act. Where am I? Sofia Art Week, performing against monuments of authority. Kunstverein Friedrichshafen, between mirrors and light. Mexico City, living inside the pulse of the city. New York, where the art world collides with raw energy. Zurich, a backdrop of precision and control, stretched. WHERE I WANNA BE Forward, into the uncertain. Horizon just out of reach. Art Basel. Venice Biennale. Frieze. But also in the spaces between those lines, where the edges blur, where systems crack. Not contained by the walls of the white cube, but pushing beyond. The Guggenheim, the Tate, the Prado, but not just inside them—stretching them outward, shifting their weight. Residencies where the work breathes differently: Cité Internationale des Arts, Paris. Skowhegan. Jan van Eyck Academie. Awards that mark the journey, Turner Prize, Golden Lion, but they’re not the destination. I wanna be where things break open, where art refuses the easy narrative, where discomfort leads to recognition. Where I wanna be is in the process of pushing forward, where art exists at the limits, challenging, confronting, and expanding. WHERE I COME FROM. WHERE I AM. WHERE I WANNA BE.