NEW SKIES
Induction Gallery, Los Angeles
August 8 – September 12, 2026
Solo exhibition
NEW SKIES
Induction Gallery, Los Angeles
August 8 – September 12 2026
Solo exhibition
“And I remain behind in the fog — with a promise — that, like the heron, I myself would not remain here.”
somewhere above an ocean I have never crossed before— sitting on 40A, turning towards new skies.
Excerpt from the performance New Skies, opening night, Induction Gallery, Los Angeles, 2026
New Skies brings together recent works by Severin Hallauer that examine inheritance, migration, memory, and belonging through the experience of being in transit. Across sculpture, installation, moving image, photography, and text, the exhibition moves between intimate autobiography and larger questions of origin: what we inherit, what we carry with us, and what must be left behind.
Throughout the exhibition, objects associated with protection, home, and movement become unstable. A suitcase shifts from container to burden; an airplane window becomes a space of suspended intimacy; a family tree takes physical form as hundreds of fragments of stained glass; inherited gestures and memories reappear through materials, objects, and images. Structures intended to provide safety repeatedly become forms of enclosure.
Rather than treating departure as a clean break, New Skies inhabits the space between leaving and arriving—between attachment and emancipation, exposure and protection, the histories that shape us and the possibility of moving beyond them. The exhibition offers no final resolution, but a series of thresholds through which identity remains in motion.
PERFORMANCE
New Skies was activated through two events that extended the exhibition into acts of gathering, memory, and performance. On August 8, Hallauer hosted a dinner centered on food remembered from his nonna Serena, served on ceramic plates made and hand-painted by the artist with motifs referencing the ceramic practice of his great-grandmother. Embroidered napkins bearing sono stata qui—“I was here”—recalled his nonna’s embroidery, bringing inherited domestic gestures into the exhibition as living forms of memory.
On September 3, Hallauer performed New Skies within the installation. Moving between the works through changing light, moving image, sound, objects, and spoken text, the performance traced a passage from confinement and inheritance toward departure and transformation. Beginning with the memory of a childhood room sealed behind lowered shades, it moved outward toward the horizon, connecting physical migration with the attempt to move beyond inherited histories while continuing to carry their traces.
INSTALLATION VIEWS
NON SUM QUALIS ERAM.
I am not what I once was.